Bill Hughes is one of the top ten finalists of The Great Novel Contest 2019 for his thought-provoking manuscript, The Thin Red Jellies Within.
Bill earned a Bachelor’s and Master’s degree in English from Ohio State, and he currently lives in the Columbus area with his wife and son. During his free time, he enjoys reading nineteenth-century novels, Samuel Beckett, pulp crime fiction, and watching cheap horror movies.
He’s published multiple stories in a variety of magazines such as The Edge, The Pedestal, Byzarium, and Page and Spine. After being an editor for the small-press magazine Dread, he took a fifteen-year hiatus from the writing and publishing world, and he feels like he’s “starting from scratch.” The Thin Red Jellies Within is his first novel-length project and marks his return to writing.
The Thin Red Jellies Within walks the line between genres as a man tries his best to handle the bizarre new life he’s handed after his wife disappears. She’s eventually finally found, but something feels off about her. Is this really the person he fell in love with?
The Thin Red Jellies Within is a mystery, one that questions identity and the limits of reason viewed through the prism of historic Ohio.
One of Bill’s earliest writing inspirations was the Hardy Boys series, and he wrote a story about them in the fourth grade. Now he’s influenced by works such as Sister Carrie and American Tragedy by Theodore Dreiser, Huck Finn, Joe R. Lansdale’s A fine Dark Line, Gifune’s Deep Night, Little Girl Lost and Songs of Innocence by Richard Aleas, and Tremblay’s The Cabin at the End of the World. He also recommends reading the works of Henry James, Jim Thompson, and any of Richard Wright’s works — especially American Hunger.
Persistence was key to finishing The Thin Red Jellies Within, and Bill believes that persistence is most important for anyone struggling to finish a novel. After his long hiatus, Bill is building up his writing support group. “I’m just starting to share work with people and build new relationships.”
Bill is a long-standing member of OWA, and he spotted the The Great Novel Contest 2019’s announcement on the website. At first, he felt unsure about submitting, but then he thought: “What the heck. OWA is a very supportive organization, and I’ve always gotten good feedback when I’ve participated in their workshops. I felt that something positive would come of it.”
To Bill, the ideal situation would be finding a good editor who enjoys his writing style and building a relationship with them. He will continue submitting The Thin Red Jellies Within to small-press editors in hopes that the manuscript will find a good home in the future.
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